Dark Queen of Samobor Blog

Hey everyone! Today we're pulling back the curtain a little and giving you a peek at how we actually build the world of Dark Queen of Samobor. Spoiler: it's messier than you might think before it gets beautiful.Every level in the game starts as a blockout. A rough layout built from simple geometric shapes. No real materials, no finished models, just crude objects slapped together to test whether the space actually feels right to move through and fight in. Does the pacing work? How does the flow of the movement feel? Can you actually see what's going on during combat? These are some of the questions we're answering at this stage, not "does it look pretty."Early BlockoutOnce we're happy with how it plays, we move into the visual iteration: adding the real models, textures, lighting, atmosphere, and all the little details that make the world feel alive and beautiful.Final BlockoutThe difference is pretty dramatic, and honestly one of our favourite parts of the process.A lot of what makes a game world feel dynamic and responsive comes down to a trick almost every game uses: invisible trigger zones. You simply walk through an area, and something happens. It's one of those things players rarely notice, and that's exactly the point.Trigger ZoneIn our case, we use triggers in all sorts of ways, for example for enemy spawning. When you cross an invisible boundary, enemies appear, but always off-screen so you don’t actually notice it.Enemy spawning off-screenAnd this is how that looks in-game, from your perspective.In-game view But triggers aren't just for enemies. That massive skull you run through? There's a trigger on the other side of it and the moment you pass through, it snaps shut behind you.Skull closing on a triggerYou can also set off these triggers with your axe. In the example below, there’s a trigger on the button, and activating it makes the doors open (and close).Opening and closing doors with a triggerWe also use triggers to control our camera. Dark Queen of Samobor uses a fully manually directed camera, and triggers let us switch angles at just the right moment, creating those cinematic scenes that make the world feel bigger and more dramatic than a locked perspective ever could.Moving camera with a triggerIt's a simple system under the hood, but the devil is in the details, and there are a lot of edge cases to juggle and consider. But getting it right gives us a ton of creative control over how you experience each moment.That's all for this one! Hope you enjoyed this peek behind the curtain. This is just a small slice of how things come together, and more dev blogs are on the way, so stay tuned. And as always, thanks for following along!🖤- Downtown Game Studio team

Greetings, everyone. In this post, we’d like to give you a behind-the-scenes look at how we design our monsters. Every creature in our game goes through multiple stages of exploration and iteration before we settle on a final look. To show this process in action, let’s walk through the creation of one of our monsters: the Grabar.We always begin by exploring the overall shape, silhouette, and mood of a creature. At this stage, nothing is final. The goal is to experiment freely and discover interesting directions. Our designs are heavily inspired by local wildlife, especially when it comes to color palettes, textures, and small details. For the Grabar, we started with several rough concepts to explore different forms and personalities.Grabar exploration - Concepts by Fran Petar DomljanOnce we settle on a general direction, we decide how the creature functions in gameplay. For the Grabar, we chose to create two variations: melee and ranged. After selecting the base look for each variation, we dive deeper into refining them individually. Below is our exploration of the ranged version of the Grabar, also known as the Spitter.Spitter variations - Concepts by Fran Petar DomljanWith the overall form locked in, we move on to detailing. This stage focuses on refining shapes and adding personality. Here are two head variations we explored for the Spitter, each pushing the character in a slightly different direction.Spitter variations, head - Concepts by Fran Petar DomljanAfter multiple iterations, we narrow the designs down to a few strong candidates. These are close to what you’ll see in-game, with only minor tweaks left to be made. For the Grabar, we ended up with several “final look” options before making our last decision.Grabar advanced variations - Concepts by Fran Petar DomljanIn the end, we selected these two versions as the definitive designs for the Grabar: the ranged and melee variants you’ll encounter in the game.Grabar final look - Concepts by Fran Petar DomljanThis process is repeated for every monster and character we create. While we won’t go into the same level of detail for all of them here, we wanted to share a few more examples. Here is Bjesomar, an ancient creature of the forest, and Cesar, the ruler of the animals and guardian of the Queen’s treasure.Bjesomar exploration - Concepts by Mato Vincetic Cesar exploration - Concepts by Mato Vincetic That’s all we wanted to share in this blog post. We hope you enjoyed this look into our creative process, and we’ll be back with more soon.Thank you for following along!- Downtown Game Studio team

Hello everyone!We have thrilling news to share. Dalibor Grubacevic, one of Croatia’s most celebrated and award-winning composers, is joining our team! Known for his powerful and emotional film scores, Dalibor has collaborated with internationally recognized filmmakers and earned Croatia’s highest music honor, the Porin, for Best Original Score in theatre, film, or television for his work on the documentary about Marco Polo, and several other international awards. Scoring SessionDalibor with the orchestra after his recent concert in Zagreb, CroatiaWe are incredibly excited and proud to welcome him aboard. His artistic sensitivity and vast experience will elevate the sound of the dark, immersive world we are creating, pushing our soundtrack to new heights. We can't wait to hear and share the main theme and the full soundtrack with you all, which is set to release next year.Left to right: Josip, our Producer, Dalibor, and Mato, our Art directorYou can listen to Dalibor’s previous work on his Spotify profile:  https://open.spotify.com/artist/1KqVGw7TOqqzfq4NF4slPkThank you for being here with us on this adventure! Until next time,The Dark Queen of Samobor Team 🖤

Hi, everyone!We decided to try a bit different approach to our dev blogs – instead of choosing a specific topic to write on as up till now, we’ll start a series of updates in which we give you exactly that – updates on the game. Which new mechanics we’re implementing, what models and animations we’re testing out, and what parts of our levels are being designed or built. While writing on a specific topic is definitely something we’ll continue to do (every now and then), this new format should let us talk to you more often and more openly about the game’s ongoing progress. We have plenty of new stuff you haven’t seen yet, built after launching the last trailer. Here’s a quick rundown of what’s new in Dark Queen of Samobor: We’re currently testing the narration system with placeholder text and audio, soon to be replaced by the real thing, voiced by none other than Sandra Lončarić, one of Croatia’s most acclaimed actresses and national drama champions. Unfortunately you won’t hear the placeholder audio here, but you’ll hear the real thing soon enough!We’ve added a secret passage mechanic that allows us to hide certain sections of the map. Spoiler alert (this time beforehand): some collectible items may be tucked away in these hidden spots...We’re deep into blocking out the remaining parts of the game, everything beyond what you’ve seen in trailers or past the early prototype you might have played at some of the conventions where we did playtests. It’s a long way forward, but with most core mechanics now in place and tested, we’re confident and excited to build the world of Dark Queen of Samobor further.We’ve already completed several new enemy types, with more on the way. Without giving away too much, here’s a little teaser: giants and vampires, their original concept art and the final in-game models (they are still not fully functional though):Nemri Giants ConceptsNemri Giants in-gameVampires Concept ArtVampires in-game #1Vampires in-game #2On the production side, we attended several conventions and hosted a few smaller playtests of our early build, where we received some fantastic feedback from the community. Our studio and Dark Queen of Samobor were also featured in major local newspapers. Playtesting Dark Queen of Samobor at Blend: Film & Games ConferenceFrom left to right: Aleksandar Baranji (Programer), Mato Vincetic (Art director), Josip Vincetic (Writer & Producer)Our studio and Dark Queen of Samobor in local newspapers! In addition, we were invited as guests on Croatia’s biggest gaming podcast -- you can watch the full episode at the link below! It’s in Croatian, so you might not catch everything if you’re not from the region, but you’ll get to see the faces behind the game: Mato, our Art Director, and Josip, our Writer and Producer.That’s it for this round of updates! If you’d like to stay in the loop between blogs, join our Discord channel where we post weekly updates and hang out with the community. Hope to see you there! And as always, huge thank you, for your support, feedback, and enthusiasm.  Until next time,The Dark Queen of Samobor Team 🖤

Hi everyone! We’re excited to share an incredible milestone with you -- we’ve reached 10,000 wishlists on Steam! We want to thank you all from the bottom of our hearts. When we first started developing this game, we honestly weren’t sure if anyone beyond our friends and family would want to play it. And now, just a little over a year since announcing it, more than 10,000 of you are eagerly waiting for its release. We’re deeply grateful for each and every one of you. Your support motivates us to keep pushing forward so we can deliver an amazing experience -- for you and for ourselves.Thank you so much! ❤️- Downtown Game Studio development team

On May 14th, we showcased and playtested Dark Queen of Samobor in Karlovac, Croatia, as part of "Kino, igra, film" (“Cinema, Game, Film”), a national educational initiative organized by the Croatian Audiovisual Centre (HAVC). The event was hosted at the beautiful Kino Edison in Karlovac, Croatia. The goal? To promote locally made games and films while helping younger generations build media literacy through critical thinking and hands-on experience. "Dark Queen of Samobor" at cinema Edison, Karlovac, Croatia We presented Dark Queen of Samobor to two groups of high school students from Karlovac and the response was Incredibly heartwarming. They enjoyed playing the game and they were intrigued by the fact that it draws from Croatian culture, literature, and mythology. Several students told us they were already fans, excited to see August Šenoa and Ivana Brlić-Mažuranić’s stories come to life in this unique, interactive format. It was amazing to see teens connecting with the game, not just for the gameplay but also for the themes, mood, and cultural roots behind it. This is exactly what we hope to achieve with Dark Queen of Samobor, provide a fun and cinematic gameplay experience and spread the word of our own culture and mythology. Playtessting "Dark Queen of Samobor" with a group of high school students Alongside our game, students watched and discussed the sci-fi short Slice of Life, a Croatian homage to classics like Blade Runner and Terminator. The screening was led by film educator Silvestar Mileta, who sparked a deep discussion on genre and storytelling. Together, the film and game offered a complete educational experience, showing how powerful and interconnected storytelling across mediums can be. Watching "Slice of Life" on a big screen 1 Watching "Slice of Life" on a big screen 2 This was no ordinary playtest. It was part of a national effort to support Croatian creatives and get young people thinking critically about the content they consume. And maybe even make some of their own one day. We're incredibly proud that Dark Queen of Samobor is part of this initiative, and we want to thank everyone involved: Kino Edison, HAVC, the schools, and of course every student who sat down to play. You’re our future audience, and your feedback is gold. Part of Downtown Game Studio team at the playtest - our Sound Designer Matija and Art Director Mato Group of high school students playing "Dark Queen of Samobor" After an inspiring day at the cinema, we’re back into full development mode. Seeing Dark Queen of Samobor in the hands of new players was a powerful reminder of why we’re making this game. But now it’s time to return to the darkness, polish our blades, and sharpen the game further. We’re already working on something special that we’ll reveal in early June. Until then, thank you for your support. And keep your lanterns lit. - The Dark Queen Team

These past few weeks have been a whirlwind but the kind that remind us why we’re doing all this in the first place. We recently brought Dark Queen to two very different but equally meaningful events: Reboot Develop Blue in Dubrovnik, and Gaming Meetup Osijek powered by BIOS, a local indie initiative we co-organized. Both gave us a chance to put our current prototype into the hands of players, developers, publishers, and other industry pros, and the feedback we received has been inspiring. Reboot Develop Blue is one of the most prestigious games industry conferences in the world. Held in the beautiful coastal city of Dubrovnik, it gathers thousands of professionals from all corners of the global industry, from indie developers to AAA publishers. Pitching Dark Queen at Reboot Develop Blue We had the chance to showcase Dark Queen to an audience of fellow devs, publishers, producers, and other industry pros. We discovered more ways to improve our gameplay and we got honest reactions to our early build, which were generally very positive. The most exciting part for us was that people kept coming back. Some played more than once. Others brought their friends or colleagues. Even in its early form, Dark Queen is already doing what it’s meant to: pulling players into its dark, strange, beautiful, and threatening world. Playtesting at Reboot Develop Blue Two weeks later, back home in Osijek, we co-hosted Gaming Meetup Osijek, a community-powered gathering celebrating game development in eastern Croatia. We organized it with support from BIOS, our local business incubator, and it featured both an expo section and talks from some of the most respected names in the local industry. Our art director Mato Vincetić gave a short talk about Dark Queen’s visual direction and worldbuilding, and we were honored to be joined by Davor Hunski, one of the founders of Croteam (yes, Serious Sam and The Talos Principle), who gave a fantastic keynote and reminded us all how far Croatian game development has come. Mato at Gaming Meetup Osijek We had our booth set up with the latest build of Dark Queen and got to watch people, from students to experienced developers, explore the game firsthand. Once again, the feedback was encouraging, thoughtful, and very clear: the direction is right, and now it’s time to polish and expand. Big thank you once again to everyone who played our prototype at the event. Playtesting at Gaming Meetup Osijek We also want to thank everyone who played the game at previous test sessions, like Reboot Infogamer and Blender Film & Games. Around 90% of the changes we made for this latest build were directly based on your input. The game feels tighter, more atmospheric, and just better, and it’s because of what you told us. Everything mattered, from noticing a bug, giving us a mechanic suggestion, or simply telling us what you loved. And it still does. Playtesting at Gaming Meetup Osijek We’re deep in development and the next few months are going to be big for us. We can’t share more just yet, but we’re cooking up something special for the beginning of June. Thank you to everyone who played the game so far, asked questions, and gave feedback. We’re incredibly excited to be building this dark world together with you. Until next time, The Dark Queen Team

Hello once again, everyone! In this post we’ll talk about the inspirations for Dark Queen that come from the world of classic cinema and animation. We want to build a world that is both visually enchanting and deeply atmospheric, a world where folklore intertwines with fantasy. Our vision is rooted in iconic animations, and timeless pieces of art that evoke strong atmospheres and unforgettable visuals. We’re blending these influences to shape a game that’s unique in its style, lore, and impact. In this post we’ll take a look into some of the biggest inspirations that are shaping the world of Dark Queen. From our very first concepts, we wanted Dark Queen to have a mysterious look, mixing folklore with dark fantasy. This is where we turned for visual inspiration: The 80s were filled with iconic dark fantasy visuals, from the eerie worlds of The Dark Crystal to the magic atmosphere of Legend. We were captivated by the way these films handled magic and darkness and how every scene felt alive with unseen threats and hidden beauty. The sense of wonder mixed with menace in these films directly influenced how we’re approaching visual storytelling in Dark Queen. The Dark Crystal, Incorporated Television Company (ITC), Jim Henson Productions, Henson Organisation Disney’s Sleeping Beauty is one of key inspirations in developing the mythical look of our environments. The grand, stylized approach of its forested settings and gothic architecture inspired the enchanted, haunting aspects of our game’s aesthetic. Sleeping Beatuty; Walt Disney Animation Studios, Walt Disney Productions The world of Conan the Barbarian and its heroes offers us an anchor in classic dark fantasy. The rawness of the characters, their primal strength, and the intense atmospheric environments inspire much of our character and world design. You’ll also find echoes of this influence in our protagonist, and in general feeling of raw power meeting a world filled with mystery and danger. Conan Barbarian; Dino De Laurentiis Company, Pressman Film A Croatian animated classic, Čudesna Šuma is filled with mythical creatures and vibrant landscapes inspired by our own folklore. This film helped us envision a uniquely Croatian take on fantasy, one that feels both familiar and otherworldly. Čudesna Šuma; Croatia Film, Fantasy Forest Besides these film and animation classics, these are specific artists who are making a strong influence in shaping the world of Dark Queen. Known for his iconic fantasy art, Frazetta’s characters are bold, raw, and larger-than-life, yet grounded in emotion and strength. His work is guiding us in making characters who feel visceral and powerful, embodying the strength and mystique of Dark Queen’s protagonists and enemies alike. Frank Frazetta, Death Dealer II Famed for his work on Sleeping Beauty, Earle’s environmental designs give us a basis for creating captivating and atmospheric backgrounds that feel simultaneously welcoming and foreboding. His influence helps us shape the look of Dark Queen’s world, filled with dramatic contrasts and detailed natural landscapes. Eyvind Earle, Wind Breaks These inspirations are key ingredients in Dark Queen’s world, but we aim to blend them into something uniquely ours. With Croatian mythology and folklore at the core of our narrative, we’re taking inspiration from these iconic sources to shape a new, culturally enriched vision of dark fantasy. Dark Queen is a game that combines classic influences with a fresh setting, a tribute to legends that have haunted imaginations for centuries, while inviting players to step into a world they’ve never quite seen before. That's all for this post. Stay tuned for more behind-the-scenes insights into the world of Dark Queen as we continue with our development. Thank you for following our journey! Downtown Game Studio team

Hello again, everyone! In today’s post, we’ll talk about our combat feedback system and what we did to “juice it up”. We wanted to create a combat system that feels responsive, dynamic, and rewarding. It consists of light and heavy attacks with addition of some cool abilities that add depth to the gameplay. In the coming blog posts, we’ll dive into some of these abilities, but today, we want to focus on something just as crucial - the player feedback system that makes combat feel impactful. Initially, when we implemented our basic attacks, everything worked as expected. You could strike enemies, deal damage, and move on to the next one. But something was missing. The combat felt flat - functional but not exciting. It lacked that “wow” effect that makes each swing of the axe feel powerful and rewarding. We playtested this prototype at Blender: FIlm & Games conference in Zagreb and one of the most frequent feedback was related to exactly that - how the game responded to each hit. With the right combination of visual and audio cues, even the simple attacks can feel more intense and satisfying and here's what we did (so far) to achieve that. Initial State: No Feedback The first feedback mechanic we added was camera shake. The idea here is simple: when you land a blow, the camera shakes subtly, giving the hit more weight. We didn’t want anything too extreme that would make players feel disoriented, but a small, sharp jolt to the camera can create the sensation of real physical impact. Adding camera shake transformed our combat immediately. Light hits feel a bit quicker, while heavy attacks shake the camera more noticeably, reinforcing their power. Camera Shake Next, we added an animation freeze effect. Essentially, when you or an enemy gets hit, the character animations freeze for a fraction of a second. It’s almost imperceptible, but the impact is significant. That brief pause allows you to register the blow and gives the hit a moment to breathe. It’s like a punchline in a joke, the pause makes all the difference. Player’s attacks feel more deliberate, and you can now experience a microsecond of satisfaction after landing a strike. Camera Shake + Animation Freeze After that, we added particles to our hit feedback system. When your weapon connects with an enemy, sparks fly, dust kicks up, and blood splatters. This kind of visual feedback further reinforces the power of the strike by giving you something immediate and tangible to see. We played around with different types of particles for different situations: wood splinters when hitting shields, sparks when clashing with metal armor, and more vivid effects like blood sprays when dealing damage to enemies. Camera Shake + Animation Freeze + Particles Finally, we added blinking (color changes) for enemies when they’re hit. For a short period after being struck, enemies blink/flash white, signaling that they’ve been damaged. This kind of visual cue is subtle but incredibly effective in providing immediate feedback. It tells you, “Yes, your attack landed.” This effect makes combat feel snappier but also helps you track the flow of battle more clearly. When you're dealing with multiple enemies, seeing them blink on impact provides instant visual feedback that your attack was effective, even in the chaos of larger fights. Camera Shake + Animation Freeze + Particles + Blinking When we combined all these feedback layers - camera shake, frame freeze, particles, and blinking effects - the combat experience in Dark Queen evolved from functional to juicy. What started as basic light and heavy attacks grew into a system where every strike feels impactful, every hit registers clearly, and every fight becomes more dynamic and exciting. It’s not just about dealing damage, it’s about feeling it. In future blog posts, we’ll dive into the abilities and special moves that further deepen the combat system, but we wanted to start here. Combat feedback is what turns a simple attack into an exhilarating moment, and we’re excited to continue refining it as development progresses. Thanks for reading, and we hope you're as excited as we are about what’s to come! Until next time, Downtown Game Studio team

Hi everyone, Just a quick info that Dark Queen will be featured as "coming soon" at the upcoming Steam event by Maximum Entertainment: Myths & Legends Make sure to check it out from Jan 29th to Feb 4th and grab some awesome mythology-based discounted games drawing from Roman, Slavic, Nordic, and Japanese folklore. Read more in the official announcement: https://maximument.com/news/maximum-entertainments-myths-legends-steam-event-starts-january-29/ Until the next time, Downtown Game Studio team

We believe in crafting a game that resonates deeply with our players, both in storytelling and gameplay. This requires listening to you, our community, at every stage of development. Here’s how playtesting has shaped Dark Queen so far and what’s next. In October, we unveiled the first early prototype of Dark Queen at the Blender: Film & Games conference in Zagreb, Croatia. It was an exciting moment for us as this was the first time players got to step into the dark world we’re building. The feedback we received was invaluable - players praised the game’s atmosphere and story foundation but also provided constructive criticism about areas needing improvement - mostly regarding the combat mechanics. We compiled an extensive list of changes to make the gameplay feel smoother, more intuitive, and engaging. This initial playtest was a reality check, but also a huge motivator - it confirmed we were on the right track while spotlighting areas that needed our focus. First Playtest: Blender Film & Games Conference Fast forward to November, where we brought an updated prototype to Reboot Infogamer in Zagreb, the biggest gaming event in the region. This version of the prototype reflected many of the changes inspired by October’s feedback and this was a chance to see how a wider and more diverse audience would react to Dark Queen. The response was incredible and we noticed improvements in the overall player experience thanks to the updates and improvements since the previous version. That said, we also uncovered fresh insights. For instance: Some players wanted more clarity in tutorial All of them wanted better balancing (and responsiveness) in combat And, as expected, a few bugs made themselves known during extended gameplay sessions Second Playtest: Reboot InfoGamer As we reflect on our playtesting journey so far, it’s clear that community involvement has been the cornerstone of Dark Queen’s progress. The next chapter in this process will be even more collaborative: we’ll be opening up playtesting to our Discord community. This will be a chance to involve you all directly in the development process, giving you a sneak peek at the game’s improvements while gathering targeted feedback. We’re especially looking forward to hearing from players who’ve followed our development from these early stages and are deeply invested in seeing Dark Queen move on. Playtesting is more than just identifying what works and what doesn’t - it’s about building a game with the players, not just for them. Every piece of feedback brings us closer to realizing the full potential of Dark Queen. We want to thank everyone who’s played our prototype so far and shared their thoughts. And to our Discord community: get ready, because you’ll soon have a chance to step into the world of Dark Queen and leave your mark on our journey. Stay tuned for details on our next playtesting round, and as always, thank you for being a part of this adventure! Until the next time, Downtown Game Studio team

Hello everyone, Just a quick announcement to let you know that our Discord server is live. Join us for discussions, updates, behind-the-scenes looks at the game, and a chance to connect with other fans and developers. We’re also gearing up for a playtest in the near future, and we’ll be looking for dedicated testers directly from our Discord community. If you’re eager to be among the first to experience Dark Queen, this is your chance to get involved! 🎮 Follow the invite to join: https://discord.gg/qKXwa7UD Thank you and until next time, Downtown Game Studio team

Hello again, everyone! Today, we're diving into the roots of Dark Queen, a world deeply shaped by Croatian mythology, history, and folklore. In this first post, we'll explore the key inspirations that breathe life into our game's dark and mysterious world. Dark Queen draws heavily from Croatia's rich tapestry of myth and legend—a wellspring of dark stories and mysteries passed down through generations. Two key elements have particularly influenced the game: August Šenoa's Snake Queen The legends of Queen Barbara of Cilli. Let’s take a closer look at each. At the heart of Dark Queen lies the legend of Queen Barbara of Cilli, a 15th-century ruler steeped in mystery. Known in Croatia as the “Dark Queen,” Barbara was an empress, alchemist, and powerful figure, feared for her rumored mastery of dark forces. Her reign has inspired countless legends—stories of cruelty, magic, and a deep connection to the supernatural. In Dark Queen, her persona serves as the backbone of the Queen herself, blending history with myth to create a ruler whose power transcends the natural world. August Šenoa, one of Croatia's greatest literary figures, wrote The Snake Queen in the 19th century, a tale that fuses historical reality with folklore, centering on themes of love, betrayal, and tragedy. It tells the story of a noble warrior who loses his beloved to dark forces. This tragic narrative of sorrow and loss resonates deeply with the spirit of Slavic mythology, where human fate is intertwined with both natural and supernatural powers. In Dark Queen, this tale forms the foundation of our world—a place where myth and reality coexist. Beyond the direct influence of Šenoa’s literary work and the legend of Queen Barbara, Dark Queen is steeped in Croatian and Slavic folklore. These ancient tales introduce a range of Slavic deities, spirits, and creatures, which populate the world of Dark Queen. As you explore this haunting landscape, you will encounter enemies and locations shaped by these myths—from giants who once battled the gods to vampires lurking in forgotten forests. Each area in the game is infused with the spirit of Croatian folklore, designed to immerse you in a realm where history and myth blur. Thank you for joining us on this journey through the depths of Croatian mythology. Where legends live and the line between reality and the supernatural is ever-shifting. Until next time, Downtown Game Studio Team

Hello, everyone! First off, we want to take a moment to thank you all for the heartwarming support and positive reception of Dark Queen - after just one month since our announcement, we hit a big milestone of 3000 wishlists! Thank you, thank you, thank you! 3000 times thank you. To give something back to you during development, we decided to use this space to talk to you about Dark Queen. In the coming months, we'll talk about the story, the characters and the general context of the game, but also give you some of our technical and artistic observations. We plan to post regularly, as much as the work on the game itself allows. Any feedback you can give us during the process will be precious as we go on this journey together. We are making Dark Queen for all of our fellow gamers that enjoy similar interests as we do - fantasy, national folklore, great movies. We are happy there's so many of you out there and we are incredibly motivated to give you all (and ourselves) an amazing experience. To wrap up this introductory post, we want to thank you once again for all of your feedback and comments as every one of them helps us in achieving that goal. Until the next time, Downtown Game Studio Team